Computer Music Projects

Crash

Jon Bates

MACHISMO AND THE ART OF ZED80 If you were born with a soldering bit in your teeth and spoon-fed with flux, then RA Penfold has written just the books for you. Computer Music Projects and MIDI Projects are two short but densely-packed books full of techno-speak regarding the construction of add-ons for the Spectrum, amongst others, that will turn your computer corner into a mass of hi-tech spaghetti inside a week. The music projects book is roughly in three sections. One deals with older synthesizers and how to build interface devices that use the control voltage in/output of the synth as a controlling device. The second section gives a series of projects that build up to form the component parts of an electronic (analogue) drum kit , again micro controlled while the third gives ways of building your very own sampler and, albeit a bit crude, a digital synthesizer. There is a final chapter to this book all about MIDI the author obviously thought the better of this and, it became the first chapter in his next tome MIDI Projects. This popular (well it is in two books!) chapter deals with the basic format and protocol of MIDI and its modes. A sad omission here is the lack of a complete breakdown of codes common to all MIDI instruments. The rest of the book deals with building a MIDI interface and how to interface MIDI instruments. All fascinating stuff, I hear you say. As we all know, the big thing with all interfaces is the governing software, and here the inventive Mr Penfold is horribly thin on the ground. A novice could have the impression from reading this that all a MIDI program for real-time sequencing needed was about eight lines of program. Although the author does sort of explain what is needed, the coverage given is very, very simple as regards the programming. I suspect that the fun is to be had getting around all the headaches that do-it-yourself electronics plus programming can give you. Both these books are published by Babani Books Ltd and cost £2.95 each. Interestingly enough, the Computer Music Projects book has a copyright of 1885 - so it is obviously a return to Victorian Values for these circuits.